Time to upgrade the old trolley

The case for a new location trolley

I know a lot of photographers who have back pain thanks to a career of carrying heavy equipment for long periods of time, loading and unloading countless cases and bags, crawling around on the ground to get low angle shots or craning their necks and backs to operate an elevated camera or light. When budgets allow, I hire an assistant to share some of this work but, thanks to the pandemic, limitations on the number of people allowed in indoor spaces has meant that I have had to do most interior shoots on my own and literally shoulder all the carrying myself.

small folding trolley loaded

My old trolley loaded and ready to fall over

I have had a small folding trolley for years which packs completely flat and carries two or three square shaped cases but as soon as you put a couple of tripods, light stands or reflectors on it, the whole thing becomes totally unstable. I needed a solution that could carry everything I required in one go without tipping over and that would be reasonable compact when stored.

My research

I have not gained commercially from writing this, I just felt that I should share my research and experience and possibly save others some time as well as visits to the chiropractor.

I recall when I first started carrying a lot of equipment around in the 1990s, the professional photography shop KJP, which became Calumet published a huge A4 professional catalogue which devoted a couple of pages to location trolleys. It would have saved me a lot of time and effort if I had kept one of those old catalogues, The products listed in the catalogue had all been selected with the photographer in mind, they were strong, could take a lot of abuse and would fold up to go in the average car. When I Googled location cart / trolley or photographer’s trolley most of the results were bulky, cheap, unstable or just not fit for purpose. I thought I would do an image search with the aim of finding something that looked similar to the images I remember from the old KJP catalogue. Eventually, I found a review of folding carts for festivals which included the Dura-cart, a British made folding cart made from aluminium that looked quite tough and folded up for storage or transport in a car. The Dura-Cart was 90 cm wide when in use which would go through my garden gate but not the front door of my house. The Dura-Cart site clearly described the product and its features but before I press the ‘buy now’ button for a product of this value on an unfamiliar website, I like to see a physical address or other business information on the website. For the reassurance of the Amazon buyer protection programme, I purchased the item from the company via the  Amazon Marketplace. The trolley arrived on a Saturday, the day after it was ordered.

UPDATE 24/10/21

The Dura-Cart site seems to be down and Amazon is out of stock. Hopefully this is a temporary issue and they will be available again. I will update this post if I hear anything. 

After sales

The after-sales service from Dura-Cart was brilliant, I had a couple of questions about the item which I emailed  on the Saturday expecting a response no sooner than the following Monday. Craig from Dura-Cart answered my email first thing on a Sunday morning!

Setting up the Dura-Cart

The cart takes seconds to unfold, basically you move the wheels away from each other, unfolding the chart and creating a flat base. There are two identical aluminium panels, one for the back, one for the front. These slide into grooves which stops the cart from folding up. The handle which is in two parts can then be released from its stowed state and secured with a locking bolt. Four bolts attach the handle to the cart when in use.

In use

My first job for the Dura-Cart was filming at the Bristol Robotics Laboratory in Bristol. My kit for the job included; a camera case, lenses, two lighting kits, large black drapes, a pop-up green screen, stands, tripods, sound mixer, blimp, clips, tapes, laptop, and extension cables.

Equipment unloaded

Equipment unloaded

The trolley carried all of the equipment without issue, the lighting stands were too long to sit inside the cart so they had to lay on the top in a soft stand bag. To keep everything in place, I used bungees wrapped around the tubular frame of the Dura-Cart.

Dura-Cart loaded with equipment

Dura-Cart loaded with equipment

The cart carried everything I needed with room to spare. It was stable and would go through most doors in commercial spaces. While I mainly bought the trolley for interior location work, its stability and large wheels would also be useful in shifting equipment to some exterior locations and provides a working platform above the dirt, dust and mud.

On my second trip to the location, I added a ladder, a soft box, a dolly and a ski bag (holds the track for the dolly). Securing everything with bungees the trolley carried everything with ease though the tyres show some evidence of the weight they are carrying.

Fully loaded car boot

Car boot fully loaded with back seats down, folded trolley on the right side.

Fully loaded trolley on location. The tyre needs some air.

Dura Cart fully loaded

Wheeling the Dura-Cart through an industrial building.

The cart in storage

When folded the trolley is about a quarter of its working width. While the trolley is mostly made from aluminium, it is still quite awkward to carry when folded. It is possible to wheel it in its folded state on flat ground if you are moving it through narrow doorways etc.

View from above of Dura-Cart in its folded state

View from above of Dura-Cart in its folded state

The two end panels must be removed when the trolley is folded. I couldn’t see any obvious places to store the panels and could imagine them being separated in my sometimes chaotic studio. To try to keep them together, I used heavy duty clips to pinch the panels against the side of the trolley next to the wheels. These clips are used a lot on set to secure drapes, cables and reflectors so it is good to put them to work as they are coming with me anyway.

Dura-Cart folded with end panels removed

Dura-Cart folded with end panels removed

 

Clips attached to tubular frame to secure end panels while stored

Clips attached to tubular frame to secure end panels while stored

Side view of folded Dura-Cart showing clips securing end panels

Side view of folded Dura-Cart showing clips securing end panels

Summing up

I believe that if I had saved the money and bought one of the cheaper ‘festival’  trolleys I would soon be suffering from buyer’s remorse. While the Dura-Cart is considerably more expensive than most of the other folding trolleys, I believe it is well made and should endure the rough and tumble of daily use. When things return to normal, I believe my assistants will also thank me for it.

 

 

Moment O series lens mount – tested

Moment ‘O’ series lens mount objective test

I don’t think this is a review, I paid full price for this item and I have not benefited in any way from writing this post. My reason for writing it is that I couldn’t find much information about the product before I purchased it. Having now bought it and taken a few shots with it, I thought I might share my experience with other Moment O series owners.

First some background. A few years ago, I bought a set of the original Moment lenses to go on an Iphone SE. Rather than using a case, I used the self adhesive metal lens mount.

Adhesive Moment lens plate for O series lenses attached to Iphone SE

Adhesive Moment lens plate for O series lenses attached to Iphone SE

Under optimum conditions, the pictures I took with these lenses were really quite impressive. Some of the videos I have shot using Moment O series lenses on the SE with FilmicPro have been screened at film festivals alongside movies shot on dedicated film cameras.

After a long and productive life, the SE eventually died to be replaced with an iPhone 7. Again, I used a self-adhesive Moment plate to attach the lenses to the phone. The larger lens on the 7 possibly combined with my poor alignment of the plate meant that there was some vignetting with the 18 (wide angle). The hole in the plate also attracted and trapped dust and was difficult to clean properly. I made less use of the lenses and was starting to consider upgrading to the newer ‘V2’ versions.

Eventually the iPhone 7 also developed problems so it was time to upgrade, this time to the 2020 iPhone SE. I visited the Moment site to see what options there were in terms of lenses, or cases for the new phone and noticed the new lens mounts, one for the new ‘V2’ series and one for the original ‘O’ series. From what I had read online, I knew that the old lenses would not be as good as the original models and that there would probably be some vignetting with the wider lenses but, for £41 this simple clip was a lot cheaper than a whole new set of lenses so I pressed the button.

Moment O Series Lens Mount objective lens test review attached to iPhone SE 2020

Moment O Series Lens Mount attached to iPhone SE 2020

The mount arrived from the US 3 days after placing the order! The product feels solid and well made, it can be attached and aligned with the phone’s lens reasonably easily, it can also be mounted on tablets and some laptops though I haven’t tried this. I doubt if the clip will fit over a phone case unless it has been modified so I may take a craft knife to a simple Tech21 case to give the phone some protection. Checking lens coverage on the iPhone app, I couldn’t see any vignetting with the 60 (Tele), very slight vignetting on the 18 (Wide) and no vignetting on the 170 (Superfish), I haven’t yet tested the macro lens. Not having the newer lenses this will not be a comparison between the two types of lenses, the shots I have taken will hopefully give a sense of sharpness, vignetting and chromatic aberration.

My unscientific process

I thought I would go to a nearby location (Castle Combe in Wiltshire) and test the lenses out on a bright sunny day, shooting with my back to the sun.  The main images have not been cropped, sharpened or edited in Photoshop, I have just downsized them to 2000 pixels on the longest side. The close up shots have been cropped but not downsized.

Images taken with Moment O series 170 Superfish lens

Image of church taken with Moment 170 Superfish

Full frame image of church taken with Moment 170 Superfish lens

close up details of image taken with Moment 170 Superfish lens

Close up details of image taken with Moment 170 Superfish lens

Cottages in Castle Combe, Wiltshire taken with O series Moment 170 Superfish lens

Full frame image of cottages in Castle Combe, Wiltshire taken with Moment 170 Superfish lens

Close up detail of edge of image taken with Moment 170 Superfish lens

Close up detail of edge of image taken with Moment 170 Superfish lens

Gravestone taken with Moment O series 170 Superfish lens

Full frame image of gravestone taken with Moment O series 170 Superfish lens

Images taken with 18 (wide) Moment O series lens

Full frame image taken with Moment O series lens showing edge blurring and slight vignetting

Full frame image taken with Moment O series lens showing edge blurring and slight vignetting

Graveyard taken with Moment O series 18 (wide) showing vignetting and some edge softness

Graveyard taken with Moment O series 18 (wide) showing vignetting and some edge softness

Images taken with Moment O series 60 (tele) lens

Image of house taken with Moment 60 O series lens

Image of house taken with Moment 60 O series lens

Detail of above shot taken with Moment O series 60 (tele) lens

Detail of above shot taken with Moment O series 60 (tele) lens

Flower taken with Moment O series 60 (tele) lens

Flower taken with Moment O series 60 (tele) lens

Centre detail of above image taken with Moment 60 (tele) lens

Centre detail of above image taken with Moment 60 (tele) lens

Edge detail of above image taken with Moment 60 (tele) lens

Edge detail of above image taken with Moment 60 (tele) lens

Moment O series 18 Wide lens

From my tests, there is no hiding from the fact that the 18 is not very sharp and it only gets worse as we get closer to the edge of the frame. There is also slight vignetting in the corners. The look reminds me of images taken with vintage style lenses. Personally, I can live with this but photographers that like pin sharp images from edge to edge will be disappointed.

Moment O series Superfish

There is little if any vignetting with this lens and while it isn’t pin sharp from centre to edge, it isn’t as bad as the 18 (wide). I was expecting to see heavy vignetting, edge softness and possibly chromatic aberration and am surprised how well this lens has performed.

Moment O series 60 Tele lens

Like the 18 lens, the lenses performance falls away as we move outwards from the centre of the image. If used with care, this could be used to emphasise a subject placed in the centre. I think this could still work as a slightly soft portrait lens.

Summing up

I am sure that the new Moment ‘V2’ lenses will perform much better than my O series lenses but I am not disappointed with the test shots and now having identified their weaknesses will plan around this when I compose and take pictures. In short, the new Moment O series lens mount has delayed the inevitable lens upgrade for a year or two.

Smartphone Photography and Videography courses and training online and face to face

I deliver a range of courses on shooting still images and video on smartphones. Thes can be delivered onsite, online and 1:1 or group workshops. Clients for my smartphone photography training workshops include; Microsoft, The Royal Photographic Society, Zurich Insurance and University of Bath.

If you would like to know more about capturing and editing stills and video with your smartphone do let me know.

Showcasing new work during ‘Lockdown’

With the postponement of a number of exhibitions that my work was due to appear in this year, I thought I should use my website to get some of my most recent work seen.

The video below features a car transporter ship, some of these vessels are capable of carrying several thousand cars at a time.

All photography and Photoshop training now available online

Due to popular demand, over the next few months I am moving all of my training and consultancy services online. You can now learn Photoshop, Lightroom Classic, smartphone photography and videography as 1:1 or 1:2 sessions via Skype, Zoom, or Google Hangouts.

For ‘off the shelf’ teaching sessions, the price is £30 for 40 minutes. If you would like bespoke training tailored to your needs, prices start at £35/hour. As there is no charge for travel, this training is available to you wherever you are in the world. I should be able to offer sessions at a time that suits you.

Nigel gave me technical and video shooting tips that will take me to the next step of filming my own business video. He is a knowledgeable and generous teacher.  N.P. Athens, Greece

My regular courses, include; introduction to Photoshop, Intermediate Photoshop, Introduction to Lightroom Classic, smartphone photography, smartphone video and sound recording.

Iphone photography workshop

Iphone photography workshop

I can also offer bespoke training on most aspects of digital and analogue photography, lighting and even pinhole camera making and photography.

I have delivered courses and small group training at; University of Bristol, University of Bath, Coventry University, to Zurich Insurance, Microsoft, National Trust, BBC, among others.

If you would like to know more, please let me know. mail@nigelgoldsmith.co.uk

Shooting a training video with smartphone ( iPhone SE ) using Filmic Pro

Shooting a training video with smartphone ( iPhone SE ) using Filmic Pro

 

 

The decisive moment

I am often commissioned to cover agricultural stories for specialist magazines and companies, at a recent shoot at an agricultural livestock auction I managed to capture this shot just as the auctioneer’s hammer (gavel) was going down. This could be described as a decisive moment

Auction sale - hammer

The decisive moment

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