Introduction to the photo-films or audio slideshow
When I first started traveling to the developing world in the late 1980s I remember seeing photographers using strange tripod mounted contraptions to take their pictures. The photographers used to gather in central squares and parks where their customers could easily find them and they might have attractive floral or architectural backgrounds.
The pictures they took might record weddings, birthdays or have more formal applications such as ID cards. In Bolivia I once asked a photographer what took place in the box, while my Spanish is OK, I couldn’t follow the technical explanation, fortunately this wonderful film shows how one of the last remaining photographers creates his pictures.
We have recently launched a digitisation service for flat, two dimensional and three dimensional objects for museums, galleries, artists and other collections.
With several years of experience digitising and supporting collections in undertaking digitisation projects we are now offering a full consultancy service.
Services include
Onsite training
Clients include the National Trust and Transco.
We were very happy to work with Nigel as he provided a flexible and high quality learning experience.
He was able to tailor the training to our specific needs which proved to be a valuable and cost effective solution.
We look forward to working with Nigel again in the future.” National Trust-Picture Library
Rather than packing a point and shoot digital camera when we go on holiday I always like to take one of my veteran film cameras. These cameras still take lovely photographs which have a quality that digital lacks. Most of the pictures taken during the trip to Bangladesh were shot with my twin lens Mamiya C330 rather than the digital SLR that sat gathering dust in the bag next to it.
This year I took my Hasselblad 500 CM, on holiday, the children didn’t appreciate its fine Carl Zeiss optics nor the square picture format. They hated the way everything was back to front and didn’t much like not knowing what they had taken until we returned home. I loved taking every single frame.
The real beauty of this vintage 40 year old camera is that it is completely compatible with modern digital camera backs so, when I want to take a digital shot I just remove the film back and put a digital one on.
Maybe next year I will take the large format Sinar